go with the flow.

Hello :) I'm Leanne, 19, from, and living in Cardiff, while fantasising about living in London.
This is just some of the stuff that I love and post: .........................................................................................................................
music; friends; Benedict Cumberbatch; Sherlock; Katy Perry; photography; movies; London; reading; late nights; Kings of Leon; New York; retro; Game Of Thrones; indie music; Greece; home design; (500) Days of Summer; dance music; Twitter; bus rides; train rides; Doctor Who; aztec; NYLON; YouTube; fandoms; summer.
This is basically me.

April 25, 2014 at 2:36am
42,175 notes
Reblogged from amoying

amoying:

puppies in sweaters hee hee hee

image

puppy in sweater hoo hoo hoo

image

puppies in sweaters ha ha ha

image

(Source: amoying, via permissiontosayc-ck)

2:18am
266 notes
Reblogged from iheartkatyperry

So make a wish, I’ll make it like your birthday every day.

(Source: iheartkatyperry, via ktheryn)

April 24, 2014 at 1:14pm
13 notes
Reblogged from ileolai

ileolai:

mental illness is insidious and recovery is as slow and imperceptible as the ramp-up

but six months from your lowest point, you’ll suddenly realize “I haven’t fantasized about my own imminent doom in a while. Huh.”

(via iseulttoinjury)

1:13pm
266 notes
Reblogged from lotharsketchbook

(Source: lotharsketchbook, via yosgcast)

3:38am
10,774 notes
Reblogged from tblaberge

I hope you have the courage to pursue someone who is worth pursuing, and not someone who is convenient. Convenience is impatience disguised as your desires, you are worth more than what time has told you, you are worthy of finding someone who will wait for you; don’t settle for what is easy, settle for what is good.

— T.B. LaBerge // Go Now (via kvtes)

(Source: tblaberge, via slutsandsinners)

April 23, 2014 at 4:12pm
6,392 notes
Reblogged from threefootroo

threefootroo:

genetics, man

(via sherlocksmoustache)

doctoratewhat:

swiggityswerenrivailleloveseren:

My OTP makes me go from “Oh my God, they are so cute" to "SLAM THAT BITCH AGAINST A WALL AND FUCK HIM UNTIL HE BEGS FOR MERCY

…twice.

(via dudeufugly)

April 22, 2014 at 12:58am
12,513 notes
Reblogged from cumberbum

Gay bar scene

Gay bar scene

April 20, 2014 at 11:56pm
6,887 notes
Reblogged from enigmaticpenguinofdeath

Mark & Amanda at the Anatomy of a Hit talk [x]

(Source: enigmaticpenguinofdeath, via mycroft-holmes-approves)

April 19, 2014 at 11:54pm
159,362 notes
Reblogged from andrewgarfielddaily

(Source: andrewgarfielddaily, via emilyisobsessed)

11:52pm
2,296 notes
Reblogged from seducingdetectives

seducingdetectives:

petition for sherlock to call john “my dear watson” at least once in s4

(Source: seducingdetectives, via anotherwellkeptsecret)

11:51pm
22,058 notes
Reblogged from sheeriosnandos

ATTENTION!!!!

sheeriosnandos:

Everyone who reblogs this by May the 6th gets a personal drawing of what I think your URL or blog is like. I promise.

(via thenletthyheart)

11:50pm
7,289 notes
Reblogged from naiara

naiara:

Sherlock season 3 behind the scenes - part 3/3

New tab for hig-def

(via cumber-porn)

11:49pm
423,396 notes
Reblogged from hungarian

hungarian:

if i don’t talk to myself who will

(via we-are-underdogs)

11:47pm
7,793 notes
Reblogged from 221beemine
221beemine:

I’ve pondered this shot since TSOT aired. I kept wondering why we were shown the hug from this angle. At first I thought it had to do with John’s private nature, especially his private feelings about Sherlock: so private he can’t admit them to his therapist after Sherlock’s “death,” so private he makes sure Mrs. Hudson’s not watching before he touches Sherlock’s headstone. Here, he hides his face behind Sherlock’s before hugging him, and we get a private glimpse of his face full of adoration for his friend, but the guests do not.
Then I realized I had it backward. This shot isn’t about John hiding his face from the guests. When I don’t know how to understand a choice of cinematography, I usually think “What would I have meant by that choice?” And I realized that my wedding photography experience could indeed answer this question. It took me a long time to come up with because I don’t usually go behind the altar during the wedding ceremony, but I have done it enough to know that this is the kiss shot. This is the shot I do when the couple kiss. It’s one of the most important photographs to get of the wedding day; couples always, always request it. The usual way to do it is from the perspective of the guests, from the angle that most of Sherlock’s speech is filmed in TSOT, but this is a foreground-background connection: this is the shot I do when I want to show that the couple are celebrating their love in front of everyone they know. 
That’s what this shot is. It’s John showing how much he cares about Sherlock, in front of God and congregation, in front of and family and friends. Just because his face is hidden doesn’t mean he’s not demonstrating his feelings for all to see, here, for the very first time.

221beemine:

I’ve pondered this shot since TSOT aired. I kept wondering why we were shown the hug from this angle. At first I thought it had to do with John’s private nature, especially his private feelings about Sherlock: so private he can’t admit them to his therapist after Sherlock’s “death,” so private he makes sure Mrs. Hudson’s not watching before he touches Sherlock’s headstone. Here, he hides his face behind Sherlock’s before hugging him, and we get a private glimpse of his face full of adoration for his friend, but the guests do not.

Then I realized I had it backward. This shot isn’t about John hiding his face from the guests. When I don’t know how to understand a choice of cinematography, I usually think “What would I have meant by that choice?” And I realized that my wedding photography experience could indeed answer this question. It took me a long time to come up with because I don’t usually go behind the altar during the wedding ceremony, but I have done it enough to know that this is the kiss shot. This is the shot I do when the couple kiss. It’s one of the most important photographs to get of the wedding day; couples always, always request it. The usual way to do it is from the perspective of the guests, from the angle that most of Sherlock’s speech is filmed in TSOT, but this is a foreground-background connection: this is the shot I do when I want to show that the couple are celebrating their love in front of everyone they know

That’s what this shot is. It’s John showing how much he cares about Sherlock, in front of God and congregation, in front of and family and friends. Just because his face is hidden doesn’t mean he’s not demonstrating his feelings for all to see, here, for the very first time.

(via sherleck)