puppies in sweaters hee hee hee
puppy in sweater hoo hoo hoo
puppies in sweaters ha ha ha
So make a wish, I’ll make it like your birthday every day.
mental illness is insidious and recovery is as slow and imperceptible as the ramp-up
but six months from your lowest point, you’ll suddenly realize “I haven’t fantasized about my own imminent doom in a while. Huh.”
I hope you have the courage to pursue someone who is worth pursuing, and not someone who is convenient. Convenience is impatience disguised as your desires, you are worth more than what time has told you, you are worthy of finding someone who will wait for you; don’t settle for what is easy, settle for what is good.
— T.B. LaBerge // Go Now (via kvtes)
My OTP makes me go from “Oh my God, they are so cute" to "SLAM THAT BITCH AGAINST A WALL AND FUCK HIM UNTIL HE BEGS FOR MERCY”
Mark & Amanda at the Anatomy of a Hit talk [x]
petition for sherlock to call john “my dear watson” at least once in s4
Everyone who reblogs this by May the 6th gets a personal drawing of what I think your URL or blog is like. I promise.
Sherlock season 3 behind the scenes - part 3/3
New tab for hig-def
if i don’t talk to myself who will
I’ve pondered this shot since TSOT aired. I kept wondering why we were shown the hug from this angle. At first I thought it had to do with John’s private nature, especially his private feelings about Sherlock: so private he can’t admit them to his therapist after Sherlock’s “death,” so private he makes sure Mrs. Hudson’s not watching before he touches Sherlock’s headstone. Here, he hides his face behind Sherlock’s before hugging him, and we get a private glimpse of his face full of adoration for his friend, but the guests do not.
Then I realized I had it backward. This shot isn’t about John hiding his face from the guests. When I don’t know how to understand a choice of cinematography, I usually think “What would I have meant by that choice?” And I realized that my wedding photography experience could indeed answer this question. It took me a long time to come up with because I don’t usually go behind the altar during the wedding ceremony, but I have done it enough to know that this is the kiss shot. This is the shot I do when the couple kiss. It’s one of the most important photographs to get of the wedding day; couples always, always request it. The usual way to do it is from the perspective of the guests, from the angle that most of Sherlock’s speech is filmed in TSOT, but this is a foreground-background connection: this is the shot I do when I want to show that the couple are celebrating their love in front of everyone they know.
That’s what this shot is. It’s John showing how much he cares about Sherlock, in front of God and congregation, in front of and family and friends. Just because his face is hidden doesn’t mean he’s not demonstrating his feelings for all to see, here, for the very first time.